《东山携姬图》轴，近现代，傅抱石绘，纸本，设色，纵104.8厘米，横57.5厘米。

　　本幅自题：“乙酉三月廿日，重庆西郊金刚坡下。傅抱石写。”钤“抱石之印”白文方印、“往往醉后”朱文长方印。

　　乙酉为1945年。

　　“东山”指东晋名士谢安，其为陈郡阳夏（今河南太康）人，字安石。出身名门望族，思想敏锐深刻，举止沉稳镇定，风度优雅潇洒。年轻时便很有名气，曾受到朝廷的征召，他以有病为借口推辞不就。后来，干脆隐居于浙江会稽东山，与王羲之、许询、支道林等名士、名僧频繁交游，出则渔弋山水，入则吟咏属文，挟妓乐优游山林，时逾20年。此外，长期涵泳于玄、佛、道合流的文化使得谢安行止之间颇具逸民风范。后世皆重他所经历的纵情于湖光山色、丝竹声乐的闲适生活和享受亲情与友情的开阔情怀，故而无论吟咏诗歌还是绘制图画常会以其作为素材。

　　傅抱石笔下的谢东山儒雅俊秀，风度翩翩，宽袍博袖，神采飞扬。身后二女窃窃私语，顾盼生姿。图写隐逸之士，表现出画家对逍遥自适、应物无累的生活和超脱尘俗、遗世独立之境界的向往。

　　此图为傅抱石夫人罗时慧捐献。

 

--------Introduction in English--------

 

"Dongshan with Ji Tu" axis, modern, Fu Baoshi painting, paper, color, 104.8 cm vertical, 57.5 cm horizontal.

The title of this painting is: "On March 20, the west suburb of Chongqing is downhill at Diamond Slope. Fu Baoshi wrote. Jun's "seal of holding stones" in white and Zhu's "often drunk" in long square.

Unity B was 1945.

"Dongshan" refers to Xie'an, a famous scholar in the Eastern Jin Dynasty. He is a person from Yangxia, Chenjun County (Taikang, Henan Province today), who is named Anshi. Famous family, keen and profound thinking, calm and calm manner, elegant and unrestrained demeanor. When he was young, he was well-known and had been called up by the court. He could not refuse to do so under the pretext of illness. Later, he simply lived in Dongshan, Huiji, Zhejiang Province. He had frequent friendships with Wang Xizhi, Xuxu Xun, Zhidaolin and other celebrities and monks. When he went out, he went fishing, chanting articles and traveling with prostitutes for more than 20 years. In addition, Xie An-zhi's long-term culture of blending Xuan, Buddha and Tao has made Xie An-zhi's behavior quite elegant. Later generations all emphasized his experience of indulging in the leisure life of Lake scenery, silk and bamboo vocal music, and enjoying the open feelings of family and friendship. Therefore, whether chanting poems or drawing pictures, he often used them as material.

Xie Dongshan, written by Fu Baoshi, is elegant, handsome and elegant, with wide sleeves and gowns. Behind her two women whispered, looking forward to life. The reclusive figure shows the artist's yearning for a free and comfortable life, a life free from all kinds of things and a state of super-secularity and independence from the past.

This picture shows Mrs. Fu Baoshi's donation by Luo Shihui.