《松阴观泉图》轴，近现代，傅抱石绘，纸本，设色，纵135.8厘米，横34厘米。

　　本幅自题：“甲申九月下浣，重庆西郊金刚坡下。傅抱石。”钤“抱石私印”白文方印、“抱石得心之作”朱文方印、“往往醉后”朱文长方印。

　　甲申为1944年。

　　图绘峰岩峭拔，高耸接天，岩间倒悬三重瀑布。奇峰秀水，赏心悦目。近处苍松青翠，树下一人执杖而行，边听边看，欣赏着飞瀑流泉，聆听着山水清音。画家用笔取秀润清雅一路，这是傅抱石居于重庆时期的精品。中部山石皴法粗中见细，为画家晚年《漫游太华》、《待细把江山图画》等图呈现出的画风的先兆。

　　此图为傅抱石夫人罗时慧捐献。

 

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"Songyin Guanquan Tu" axis, modern, Fu Baoshi painting, paper, color, 135.8 cm vertical, 34 cm horizontal.

This self-titled picture: "Jiashen Xiahuan in September, down the Jingang slope in the western suburb of Chongqing. Fu Baoshi." Jun "Baoshi Private Seal" in white, Zhu Wenfang Seal in "Baoshi Delicious Works" and Zhu Wenchang Fang Seal in "Often drunk".

Jiashen is 1944.

The pictures show that the peak rock is steep and towering, and there are three waterfalls hanging upside down between the rocks. Qifeng beautiful water, pleasant to the eye. Close to the verdant pine, a man walking under the tree stick, while listening to and watching, enjoy the waterfalls and springs, listening to the voice of mountains and waters. The painter's brush is elegant, elegant and elegant all the way, which is a fine product of Fu Baoshi's residence in Chongqing. In the middle of the mountains and rocks, the rough and thin method is the forerunner of the painting style presented by the painter's later paintings such as Wandering Taihua and Waiting for Detailed Pictures of Jiangshan.

This picture shows Mrs. Fu Baoshi's donation by Luo Shihui.