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文伯仁南溪草堂图卷-明朝-山水

 

《南溪草堂图》卷,明,文伯仁作,纸本,设色,纵34.8cm,横713.5cm。

  本幅自识:“隆慶己巳冬爲天錫寫。五峰文伯仁。”钤“五峰”、“文伯仁”、“画隐”、“五峰山人”。

  在明代吴门地区的绘画中,以名人的室名、别号为题材或描绘文人、官宦所居庄园、别墅景观的作品为数众多,此图即属于后一种。根据卷后王穉登所撰《重建南溪草堂记》可知,此图描绘的是江南望族顾氏的庄园“南溪草堂”重修后的景致。

  图中水道蜿蜒纵横,竹林丛树、渔舟小桥、草堂庙宇等散布杂错,建筑与自然景物融为一体,自然和谐。虽有农田、药圃,但无农人艰辛劳作之状,表现的是江南文人泛舟读书的优雅闲适的生活。图中庄园较之一般江南园林的文雅精致,另有一种田园野趣,别具特色。

  全画构图密而不乱,平坡土石以干笔勾勒、皴染,树冠枝叶多以极富变化的墨点画成,点染兼用,间或出以双勾,皆富于层次感。全图笔墨清劲简洁,风格柔和明秀,代表了文伯仁晚年的典型艺术风貌。

  近人汪士元《麓云楼书画论略》著录。


--------Introduction in English--------

 

Nanxi Drawing Hall Volume, Ming Dynasty, Wen Boren, Paper, Colour Setting, 34.8cm Vertical, 713.5cm Transverse.

This piece of self-knowledge: "Longqing Jidong wrote for Tianxi. Wufeng Wen Boren." Jun "Wufeng", "Wen Boren", "Painting Hidden", "Wufeng Shanren".

Among the paintings in Wumen area of Ming Dynasty, there are many works which depict the house names and nicknames of celebrities or the landscapes of literati, manors and villas where officials live. This picture belongs to the latter one. According to the book "Rebuilding Nanxi Cao Tang" written by Wang Haodeng, the queen of the volume, this picture depicts the scenery after the renovation of Nanxi Cao Tang, Gu's manor of the Wangzu clan in the south of the Yangtze River.

The waterway in the picture is winding, with bamboo bushes, fishing boat bridges, grass halls and temples scattered miscellaneous. The architecture and natural scenery are integrated, and the nature is harmonious. Although there are farmland and medicine nurseries, there is no farmer's hard work, which shows the elegant and leisurely life of literati in the south of the Yangtze River. The manor in the picture is more elegant and delicate than other gardens in the south of the Yangtze River, and has a unique pastoral interest.

The composition of the whole painting is dense but not disorderly. The flat slopes are outlined and dyed with dry brushes. The crowns, branches and leaves are mostly painted with variational ink dots. Both dots and dyes are used, sometimes with double hooks, which are rich in the sense of hierarchy. The whole picture is vigorous and concise, with a soft and bright style, which represents the typical artistic style of Wen Boren in his later years.

The description of Wang Shiyuan's Luyun Tower on Calligraphy and Painting.

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