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王翚仿巨然烟浮远岫图轴-清朝-山水-中国古代山水绘画作品

 

《仿巨然烟浮远岫图》轴,清,王翚绘,纸本,墨笔,纵187cm,横67.2cm。

  本幅自识:“烟浮远岫图。丁卯腊月八日仿巨然笔。海虞石谷子王翚。”

  下钤“王翚之印”白文印、“石谷”白文印。另收藏印三方:“王藻儒考藏图书”白文印、“愉庭吴云审定”白文印、“陆朴埜娱老”朱文印。裱边钤藏印四方:“阁鉴藏”朱文印、“夫容江馆”朱文印、“愉庭吴云审定”白文印、“白云私印”白文印。又裱下端有李瑞清书牍。

  “丁卯”为清康熙二十六年(1687年),王翚时年56岁。

  此幅以纵向构图取势,山头处作小块状的矾头,为雄伟的山峦增添了灵巧的韵动感。山谷间绘茂密的丛林,使苍茫的山峦增添了生命的气息。图中山石以大披麻皴皴擦,其明净淡雅的线条营造了画面云烟飘渺的意境。

此图是王翚晚年仿宋巨然《烟浮远岫图》的代表作之一。据王翚仿巨然的同名画扇(现藏北京故宫博物院)款题而知,王翚首次见到巨然的《烟浮远岫图》是在“毗陵庄太史家”,当时他42岁(癸丑,1673年),款题:“巨然《烟浮远岫图》今在毗陵庄太史家,真海内第一墨宝。余尝借观,背临大概。寄呈闻川尊先生。”又题长句,落款“癸丑上巳日,石谷重识。”王翚自此不断地仿巨然《烟浮远岫图》,或自娱,或送友人留念。他送笪重光的仿品目前藏于美国普林斯敦大学美术馆。根据图上所钤“王藻儒考藏图书”印可知本幅是他送友人王藻儒之作。

  《王奉常书画题跋》、《吴越所见书画录》著录。

 

--------Introduction in English--------

 

"Imitating the Great Smoke Floating on the Far Headland" axis, Qing Dynasty, Wang Jian's drawing, paper, ink, 187 cm in length, 67.2 cm in transverse.

This self-awareness: "Smoke floating far headland map. Ding Maola imitated a giant pen on the 8th of December. Haiyu Shiguzi Wang Yi."

Xiajun's "Wang Jian's Seal" and "Shigu" white seals. In addition, there are three sides to collect and print: the white print of Wang Zao-ru's book collection, the white print of Yuting Wuyun's examination and approval, and the Zhu print of Lu Puye's entertainment for the elderly. There are four kinds of seals: Zhu Wenyin of Ge Jianzai, Zhu Wenyin of Fu Rong Jiang Guan, Baiwenyin of Yuting Wuyun Examination and Approval, and Baiyun Private Seal. Also mounted on the lower end are Li Ruiqing's inscriptions.

Ding Mao was 26 years old (1687) in Kangxi of Qing Dynasty. Wang was 56 years old.

This picture takes advantage of the vertical composition and makes small pieces of alum on the top of the mountain, which adds a delicate sense of rhythm and movement to the magnificent mountains. The dense jungle among the valleys adds a breath of life to the vast mountains. In the picture, the mountain stones are wiped with hemp and chaff, and their clear and elegant lines create an ethereal mood of the picture.

This picture is one of Wang Fei's representative works in his later years, which imitated "Yanfuyuan Xiu Tu" by Juran of Song Dynasty. According to the title of Wang Fei's imitation of Juran's painting fan of the same name (now Tibetan Palace Museum), Wang Fei first saw Juran's "Yanfu Yuanxiu Tu" in "Taishi of Pilingzhuang", when he was 42 years old (ugly, 1673), "Juran's"Yanfu Yuanxiu Tu"is now in Taishi of Pilingzhuang, the first ink treasure in Zhenhai. I'll take a look at it for the rest of my life. Send it to Mr. Wen Chuanzun." Another long sentence, the paragraph "Ugly on the sun, Shigu re-recognition." From then on, Wang Fei constantly imitated Juran's Picture of Smoke Floating on the Far Headland, or entertained himself, or sent friends to remember. His replica of Chongguang is currently in the University of Princeton Art Museum. According to the printing of Wang Zao-ru's book on the map, we can see that this picture is his work of sending friends Wang Zao-ru.

Descriptions of Wang Fengchang's inscriptions and postscripts of calligraphy and paintings, and Records of Calligraphy and Paintings Seen by Wu Yue.

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