《伯远帖》，晋，王珣书，纸本，行书，5行共47字，纵25.1厘米，横17.2厘米。
《伯远帖》是晋王珣(350—401年)写的一封信。原文：“珣頓首頓首，伯遠勝業情期群從之寶。自以羸患, 志在優遊。始獲此出意不剋申。分別如昨永爲疇古。遠隔嶺嶠，不相瞻臨。”
卷前引首有乾隆御书：“江左風華”四大字，上有“乾隆御笔”一玺。并御题：“唐人真迹已不可多得，況晉人耶！內府所藏右軍快雪帖，大令中秋帖，皆希世之珍。今又得王珣此幅繭紙家風信堪並美！幾余清賞亦臨池一助也。御識。”钤“乾隆宸翰”、“涵虛朗鑒”二玺。
前隔水御书：“家學世範，草聖有傳，宣和書譜”12字。下有：“乾隆宸翰”、“幾暇臨池”、“耽書是宿綠”三玺。
又御识：“乾隆丙寅春月，獲王珣此帖，遂與快雪中秋二迹並藏養心殿溫室中，顔曰：‘三希堂’，御筆又識”，钤“乾”、“隆”二玺。
后隔水上有明董其昌跋，后有乾隆御绘枯枝文石，并识：“王珣帖與其昌跋皆可寶玩，即裝池側理亦光潤堪愛，漫制枯枝文石以配之。乾隆丙寅春正，長春書屋御識”，钤“几暇怡情”一玺。后有“墨云”一玺。
卷尾敕董邦达绘图，邦达有记，又有沈德潜书“三希堂歌”。
卷后有董其昌、王肯堂题记。
本幅前后有古半印二，漫漶不可识。清代所钤宝玺有：“石渠寶笈”、“乾隆鑒賞”、“乾隆御覽之寶”、“三希堂精鑒璽”、“宜子孫”、“養心殿鑒藏寶”诸玺。
收传印记上钤有“郭氏觶齋秘笈之印”。
此帖与陆机《平复帖》为现今仅存的两件晋代名人法书。
王羲之作为“书圣”，垂范百代。但他的书作只以临本、摹本和刻本的形式流传，没有一件真迹传世。王氏家族世代擅书，名家辈出，然命运亦大抵相同。唯羲之族侄王珣有此短笺留在人间，实在是不幸中的大幸。我们可以从中窥见“二王”行草书使转用笔的精微之处，这是刻帖和双勾填墨摹本所无法传达的。
王珣本人有书名，此帖风神俊朗，潇洒流利，在王氏家族书风的基础上自具面目，在中国书法史上具有崇高的地位。
王珣《伯远帖》自乾隆十一年（1746年）进入内府，经乾隆品题，与王羲之《快雪时晴帖》、王献之《中秋帖》并藏在养心殿西暖阁内的尽间，乾隆御书匾额“三希堂”。 乾隆十二年又精选内府所藏魏晋唐宋元明书家134家真迹，包括三希在内，摹勒上石，命名《三希堂法帖》。在西苑的北海建“阅古楼”，把上述刻石嵌在楼内墙上，拓本流传以示临池之模范。三希原件仍藏在养心殿三希堂。
1911年以后至1924年溥仪出宫以前，《伯远帖》、《中秋帖》曾藏在敬懿皇贵妃所居的寿康宫，溥仪出宫之时，敬懿皇贵妃将此帖带出宫，后流散在外。1951 年周恩来总理指示将《伯远帖》、《中秋帖》购回，交故宫博物院收藏。曾经公开展览，并已影印出版。
《宣和书谱》、《画禅室随笔》、《书画记》、《平生壮观》、《墨缘汇观》、《式古堂书画汇考》、《佩文斋书画谱》、《石渠宝笈·初编》、《古书画过眼录》等书著录。
--------Introduction in English--------
Boyuan Tie, Jin Dynasty, Wang Roshu, Paper Book, Traveling Book, 5 lines totaling 47 words, 25.1 cm in length and 17.2 cm in transverse.
Boyuan Tie is a letter written by King Er of Jin Dynasty (350-401). Origin: "The first time in Lotton, Boyuan is better than the treasure of industry. He is determined to travel well because of his own troubles. It was a surprise. They are as old as yesterday. Far away from the mountains, do not look forward."
In front of the volume, there are four characters of Qianlong Imperial Book: "Jiangzuo Fenghua", with a seal of "Qianlong Imperial Pen". And the imperial title: "Tang Dynasty authentic works are rare, Kuang Jin Ren Ye!" The right army's fast snow posts and the Mid-Autumn Festival Posts hidden in the inner government are all treasures of the world. Today, Wang Luo's cocoon paper house is very popular and beautiful. More than a few enjoyments are also helped by Linchi. Royal knowledge." Jun "Qianlong Chenhan" and "Han Xulangjian" two seals.
Previous imperial script: "Family model, Caosheng have biography, Xuanhe Shupu" 12 words. The following are the three seals: "Chen Han of Qianlong", "Linchi of a few spare time" and "Shulu is Sustained Green".
The emperor also knew: "Qianlong Binyin Spring Moon, won this post from Wang Ro, and then with the two tracks of the fast snow Mid-Autumn Festival and hidden in the greenhouse of Yangxin Hall, Yan said:"Three Xitang", the emperor also knows the pen, and Jun"Qian"and"Long".
Later, there were Ming Dong Qichangba on the water, and later Qianlong Royal Painting of withered branch inscriptions, and he knew: "Wang Ertie and his Changba can play with treasures, that is, the side of the pool is also polished and lovely, and the withered branch inscriptions are made to match them. Qianlong Bin Yin Chunzheng, Changchun Bookstore Royal Knowledge, Jun "a few moments of pleasure" a seal. Later there is a seal of "dark clouds".
In the end, Dong Bonda draws pictures. Bonda has a record, and Shen Deqian's book "Sanxi Tang Song".
There are inscriptions of Dong Qichang and Wang Kentang at the end of the volume.
There are two half-prints in the front and back of this picture, which are unrecognizable. The precious seals in Qing Dynasty include "Shiqu Baoding", "Qianlong Appreciation", "Qianlong Imperial View Treasure", "Sanxi Tang Exquisite Appreciation Seal", "Yizi Sun", "Yangxindian Temple Appreciation Treasure".
The seal of receipt bears the seal of "Kuo Shi Yuzhai's Secret Seal".
This post and Lu Ji's Pingfu Tie are the only two famous calligraphy of Jin Dynasty.
Wang Xizhi, as a "book sage", is a model of the hundred dynasties. However, his books were only handed down in the form of copies, copies and engravings, and none of them were handed down from generation to generation. Wang's family has been good at books for generations, and many famous families have emerged, but their fates are almost the same. Wang Er, a nephew of the Xizhi clan, was very fortunate to have this note left on earth. We can see from it the subtleties of the "two kings" cursive script, which can not be conveyed by engraving and double-check ink copy.
Wang Er himself has the title of a book. This posting is handsome, handsome and fluent. It has its own face on the basis of Wang family's style of calligraphy and has a lofty position in the history of Chinese calligraphy.
Wang Er's "Bo Yuan Tie" entered the interior government in 1746. It was inscribed by Qianlong. It was hidden with Wang Xizhi's "Clear Tie in Fast Snow" and Wang Xianzhi's "Mid-Autumn Tie" in the West Warm Pavilion of Yangxin Palace. The inscription of Qianlong's imperial inscription was "Three Xitang". In the twelve years of Qianlong reign, 134 authentic works of calligraphers from Wei, Jin, Tang, Song, Yuan and Ming dynasties, including Sanxi, were selected and named Sanxi Tang Tie. In the Beihai of Xiyuan, a "reading ancient building" was built. The above carved stone was embedded on the inner wall of the building, and rubbings were circulated to show the model of Linchi. Sanxi original is still hidden in Sanxi Hall of Yangxin Hall.
From 1911 to 1924, before Puyi left the palace, "Boyuan Tie" and "Mid-Autumn Tie" were hidden in Shoukang Palace, where King Jingyi lived. When Puyi left the palace, King Jingyi took the Tie out of the palace, and then scattered out. In 1951, Premier Zhou Enlai instructed that Boyuan Tie and Mid-Autumn Festival Tie be bought back and handed over to the Palace Museum for collection. It has been exhibited publicly and has been photocopied and published.
Xuanhe Shupu, Painting and Zen Room Essays, Calligraphy and Painting Records, Life Grand View, Moyuan Huiguan, Style Ancient Hall Collection of Calligraphy and Painting, Pei Wenzhai Shupu, Shiqu Baodu Preliminary Edition, Eye Records of Ancient Calligraphy and Painting, etc.
