《蒙诏帖》卷，传为唐柳公权书，纸本，行书，纵26.8厘米，横57.4厘米。

　　释文：

　　公权蒙诏, 出守翰林，职在闲冷，亲情嘱托，谁肯响应，深察感幸。公权呈。

　　鉴藏印有宋“绍兴”、“瑞文图书”、“贤志赏”，元“赵氏子昂”、“乔氏篑成”、“齐郡张绅士行”，明“冯氏鹿庵珍藏图籍印”，清“安岐之印”、“王常宗”、“陈氏彦廉”、“韩世能印”、“韩逢禧印”等。

　　此帖传为柳公权写的一通信札，告诉对方自己年老体衰，能力有限，虽然有个闲官职位，可也不能为别人办什么大事，请谅解自己的难处。

　　南宋所刻《兰亭续帖》中收有《翰林帖》（或称《蒙诏帖》），其文曰：“公权年衰才劣，昨蒙恩放出翰林，守以闲冷，亲情嘱托，谁肯响应，惟深察，公权敬白。”据文意推测该帖应写于文宗时柳氏任翰林院书诏学士期间，而本帖中的“出守翰林”在文辞上不符合当时居官者职守的称谓，因此可能是宋人据《翰林帖》的大意写出。书法的前四行用笔较雄畅，结字亦尚稳妥，而后几行用笔逐渐瘦薄，结字多松散，末行的“权”字笔画也不成结构，与柳氏遒媚劲健的书风悬殊较大。种种迹象表明，本帖非柳书，乃是宋人仿本。

　　明詹景凤《东图玄览》、张丑《南阳书法表》、《真迹日录》，清安岐《墨缘汇观》著录。 

 

--------Introduction in English--------

 

"Meng Zhao Tie" volume, handed down as Tang Liu Gongquan book, paper book, running book, vertical 26.8 cm, horizontal 57.4 cm.

Annotations:

The public power was enforced, and he was in Hanlin. He worked in a leisurely and cold place. He was deeply grateful for his kinship's advice. Presentation of public power.

There are Song Shaoxing, Ruiwen Books, Xianzhi Appreciation, Yuan Zhao Ziang, Qiao Zhengcheng, Qijun Zhang Gentleman Xing, Ming Feng Lu'an Collection Picture Seal, Qing Anqi Seal, Wang Changzong, Chen Yanlian, Han Shineng Seal, Han Fengxi Seal and so on.

This post is a letter written by Liu Gongquan, telling the other party that he is old and frail and has limited ability. Although he has a position as an idle official, he can't do anything important for others. Please forgive his difficulties.

In the Lanting Resume, inscribed in the Southern Song Dynasty, there is Hanlin Tie (or Meng Zhao Tie). It says, "The public power is weak in years. Yesterday, Hanlin was released by Meng En, who will respond, only observe deeply and show respect for public power." According to the literary conjecture, it was supposed that the post should be written during the period when Liu was a Bachelor of Imperial Academy of Hanlin in Wenzong period, and the title of "leaving Hanlin" in this post did not accord with the title of official duty at that time, so it might be written by Song people according to the general idea of "Hanlin Tie". The first four lines of calligraphy are more vigorous and smooth, and the knotting is still stable. The next few lines are thinner and looser, and the last line of "Quan" is not structured, which is quite different from Liu's strong and vigorous style of calligraphy. Various signs show that this post is not a Liushu, but a copy of the Song Dynasty.

Zhan Jingfeng, Ming Dynasty, Dongtu Xuanlan, Zhang Uo, Nanyang Calligraphy Table, True Traces Rilu, and Anqi, Qing Dynasty, Moyuan Huiguan.