《上阳台帖》,唐,李白书,纸本,纵28.5厘米,横38.1厘米。草书5行,共25字。
《上阳台帖》是李白所书自咏四言诗。释文:
“山高水長,物象千萬,非有老筆,清壯可窮。十八日,上陽臺書,太白。”
引首清高宗弘历楷书题“青蓮逸翰”四字,正文右上宋徽宗赵佶瘦金书题签:“ 唐李太白上陽臺”一行。
后纸有宋徽宗赵佶,元张晏、杜本、欧阳玄、王馀庆、危素、驺鲁,清乾隆皇帝题跋和观款。
卷前后及隔水上钤有宋赵孟坚“子固”、“彜齋”、贾似道“秋壑圖書”,元“張晏私印”、“歐陽玄印”以及明项元汴,清梁清标、安岐、清内府,近代张伯驹等鉴藏印。
这是李白传世的唯一书迹。其落笔天纵,收笔处一放开锋,宋黄庭坚评李白的诗与书云:“及观其稿书,大类其诗,弥使人远想慨然。白在开元、至德间,不以能书传,今其行、草殊不减古人。”(《山谷题跋》)
此帖曾入宣和内府,后归贾似道,元代经张晏处,明藏项元汴天籁阁。清代先为安岐所得,再入内府,清末流出宫外。民国时入张伯驹手,建国后献给国家。1958年此帖转交故宫博物院收藏。
清安岐《墨缘汇观》、内府《石渠宝笈·初篇》等书有著录。
--------Introduction in English--------
Upper Balcony Tie, Tang, Li Baishu, Paper, 28.5 cm in length and 38.1 cm in transverse. Cursive 5 lines, a total of 25 words.
The Upper Balcony Tie is a four-character poem written by Li Bai. Annotations:
"The mountains are high and the waters are long, and the things are like tens of millions of people. Without an old pen, they are strong and poor. On the eighteenth, go to the balcony book, too white."
Leading to the four characters of Qing Gao Zong's Hongli regular script titled "Qing Lian Yi Han", the text goes to the right of Song Hui Zong's thin gold bookmark: "Tang Li Taibai on the balcony".
Later papers include Zhao You of Huizong of Song Dynasty, Zhangyan of Yuan Dynasty, Du Ben, Ouyang Xuan, Wang Yuqing, Wei Su, Zhulu, postscripts and inspections of Emperor Qianlong of Qing Dynasty.
Before and after the scroll and across the water, there are "Zigu", "Yi Zhai" of Song Zhao Mengjian, "Qiuzai Books" of Jia Simdao, "Zhang Yan's Private Seal", "Ouyang Xuan Seal" of Yuan Dynasty, and "Yuan Bian of Ming Dynasty", "Qingliang Qingbiao", "Anqi", "Qing Neifu" of Qing Dynasty, and "Zhang Boju" of modern times.
This is the only handwriting handed down by Li Bai. He wrote freely and opened his pen at the closing place. Song Huang Tingjian commented on Li Bai's poems and Book clouds: "As for his manuscripts, his poems are of great type, which makes people think deeply and sigh deeply. Bai Kaiyuan, to virtue, can not be handed down by books, today's trip, grass difference does not reduce the ancients. (Valley inscriptions and postscripts)
This post was once admitted to Xuanhe Neifu and later returned to Jia Xiandao. In Yuan Dynasty, it passed through Zhang Yan's office. In Ming Dynasty, it belonged to Xuanhe Neifu. In the Qing Dynasty, Anqi's income was first collected, then entered the inner palace, and then flowed out of the palace in the late Qing Dynasty. When the Republic of China came into Zhang Boju's hands, it was dedicated to the country after the founding of the People's Republic of China. In 1958, this post was transferred to the Palace Museum for collection.
In Qing Dynasty, Anqi's "Moyuan Huiguan" and Neifu's "Shiqubaodi Chapter I" are recorded.