《太白酒歌》轴，明，宋广书，纸本，草书，纵87厘米，横33.6厘米。

　　释文： 

　　天若不爱酒，酒星不在天。

　　地若不爱酒，地应无酒泉。

　　天地既爱酒，爱酒不愧天。

　　已闻清比圣，复道浊如贤。

　　贤圣既已饮，何必求神仙。

　　三杯通大道，一斗合自然。

　　但得酒中趣，勿谓醒者传。

　　款署“昌裔为彦中书”。鉴藏印有“休宁朱之赤珍藏图书”、“仪周鉴赏”、“冯公度家珍藏”及乾隆内府收藏印共10方。

　　诗录唐代李白《月下独酌四首》之二。宋广此篇笔画精熟，流利飞动，风度洒脱，是其草书的典型面貌。但线条多连绵圆婉，缺乏筋节转换，笔力稍逊，字态亦少变化，故内蕴与劲道略显不足。古人论及草书方圆之道称：“书一于方者，以圆为模棱；一于圆者，以方为径露。盖思地矩天规，不容偏有取舍。”

 

--------Introduction in English--------

 

"Taibaijiu Song" axis, Ming Dynasty, Song Guangshu, paper, cursive, vertical 87 cm, horizontal 33.6 cm.

Annotations:

If the sky does not love wine, the wine star is not in the sky.

If the earth does not love wine, it should have no wine springs.

Heaven and earth both love wine, love wine worthy of heaven.

It has been heard that Qingbi is more holy than Sheng, and the road of restoration is as cloudy as Xian.

Why ask for immortals when sages have already drunk.

Three cups lead to the avenue and one fight is natural.

But to be interesting in wine is not to be called a wake-up biography.

Section Department "Chang descendants for Yan Zhongshu". There are 10 collections of "Xiuning Zhuzhichi Collection Book", "Yizhou Appreciation", "Feng Gongdujia Collection" and Qianlong Neifu Collection Seals.

Li Bai's Four Poems under the Moon in Tang Dynasty. Song Guang's masterly brushwork, fluent and flowing, free and easy demeanor, is the typical appearance of his cursive script. However, the lines are more continuous and round, lacking in the transformation of tendons and joints, the brushwork is slightly poor, and the style of the characters is less changed, so the connotation and strength are slightly insufficient. The ancients discussed the way of square circle in cursive script, which said: "When a book is in the square, it is ambiguous in the circle; when it is in the round, it is dew in the square." Geith is a regular man, and he can't be biased."