卡尔.拉尔森Carl Larsson(1853年5月28日—1919年1月22日),瑞典画家。
自画像在工作室
拉尔森出生在1853年5月28日斯德哥尔摩老城,在78 Prastgatan。他的父母非常可怜的,他的童年并不快乐。
在她的书中拉尔森,雷Puvogel给详细的信息关于卡尔的生活:“他的母亲被赶出了屋子,卡尔和他的兄弟约翰一起;持久的一系列临时住处后,全家搬到Grev Magnigrand 7号(后来5号)在当时Ladugardsplan,今天Ostermalm”。作为一个规则,每个房间是三个家庭;“贫穷、肮脏和副蓬勃发展,悠闲,幽幽地沸腾了,吞噬和腐烂的肉体和灵魂。这样的环境是自然的温床霍乱”,他在他的自传体小说中写道我(缺口)。
拉尔森的父亲当临时工,斯托克在船起航前往斯堪的纳维亚半岛,和失去了租赁到附近的工厂,只有以后在那里工作仅仅是一个运粮船。拉尔森将他描绘成一个没有爱情的人缺乏自我控制,他喝了,嘶声力竭,和发生后他的儿子的终身愤怒爆发,他宣称:“我诅咒你出生的那一天”。相比之下,卡尔的母亲长时间作为一个洗衣女工工作为她的家庭提供。
然而,在十三岁的时候,他的老师雅各布森,为贫困孩子们敦促他在学校申请的“principskola”瑞典皇家美术学院,他承认。在他的第一年,拉尔森感到社会地位低下,困惑,害羞。[1]1869年,16岁时,他被提升为同一学院的“古董学校”。拉尔森获得信心,甚至成为学生生活的中心人物。卡尔在裸体画赢得了他的第一个金牌。同时,拉尔森当过漫画家的幽默Kasper并作为报纸纽约艺术家Illustrerad Tidning。他的年薪是足以让他帮助他的父母经济上的支持。
几年后当插画家的书籍、杂志、和报纸,拉尔森搬到巴黎在1877年,他花了几个令人沮丧的年勤奋的艺术家没有成功。拉尔森没有渴望与法国逐步建立联系印象派画家;相反,连同其他瑞典艺术家,他把自己从激进的变革运动。
后两个夏天巴比松的避难所露天画家,他定居瑞典画家和他的同事在1882年Grez-sur-Loing,在一个斯堪的那维亚艺术家的殖民地以外的巴黎。在那里,他遇到了艺术家卡琳Bergoo,他很快成为他的妻子。这是一个转折点在拉尔森的生命。在Grez,拉尔森画一些他最重要的作品,现在水彩画他不同于油画技术之前。
卡尔和卡琳·拉尔森有八个孩子(Suzanne(1884),Ulf(1887年,18岁时去世),蓬托斯(1888),莉丝贝(1891),碧然德(1893),垫子(1894年,死于2个月),Kersti(1896)和Esbjorn(1900))和他的家人成为了拉尔森的最喜欢的模型。许多内部描述是卡琳·拉尔森的工作,他也担任室内设计师.
Larsson was born on 28 May 1853 in the old town of Stockholm, at 78 Prästgatan.[1]His parents were extremely poor, and his childhood was not happy.
Renate Puvogel, in her book Larsson, gives detailed information about Carl's life: "His mother was thrown out of the house, together with Carl and his brother Johan; after enduring a series of temporary dwellings, the family moved into Grev Magnigränd No. 7 (later No. 5) in what was then Ladugårdsplan, present-day Östermalm". As a rule, each room was home to three families; "penury, filth and vice thrived there, leisurely seethed and smouldered, eaten-away and rotten bodies and souls. Such an environment is the natural breeding ground for cholera", he wrote in his autobiographical novel Me (Jag).
Larsson's father worked as a casual laborer, sailed as a stoker on a ship headed for Scandinavia, and lost the lease to a nearby mill, only to work there later as a mere grain carrier. Larsson portrays him as a loveless man lacking self-control; he drank, ranted and raved, and incurred the lifelong anger of his son after an outburst in which he declared, "I curse the day you were born". In contrast, Carl's mother worked long hours as a laundress to provide for her family.
However, at the age of thirteen, his teacher Jacobsen, at the school for poor children urged him to apply to the "principskola" of the Royal Swedish Academy of Arts, and he was admitted. During his first years there, Larsson felt socially inferior, confused, and shy.[1] In 1869, at the age of sixteen, he was promoted to the "antique school" of the same academy. There Larsson gained confidence, and even became a central figure in student life. Carl earned his first medal in nude drawing. In the meantime, Larsson worked as a caricaturist for the humorous paper Kasper and as a graphic artist for the newspaper Ny Illustrerad Tidning. His annual wages were sufficient to allow him to help support his parents financially.
After several years working as an illustrator of books, magazines, and newspapers, Larsson moved to Paris in 1877, where he spent several frustrating years as a hardworking artist without any success. Larsson was not eager to establish contact with the French progressive Impressionists; instead, along with other Swedish artists, he cut himself off from the radical movement of change.
After spending two summers in Barbizon, the refuge of the plein-air painters, he settled down with his Swedish painter colleagues in 1882 in Grez-sur-Loing, at a Scandinavian artists' colony outside Paris. It was there that he met the artistKarin Bergöö, who soon became his wife. This was to be a turning point in Larsson's life. In Grez, Larsson painted some of his most important works, now in watercolour and very different from the oil painting technique he had previously employed.
Carl and Karin Larsson had eight children (Suzanne (1884), Ulf (1887, who died at 18), Pontus (1888), Lisbeth (1891), Brita (1893), Mats (1894, who died at 2 months), Kersti (1896) and Esbjörn (1900)) and his family became Larsson's favourite models. Many of the interiors depicted were the work of Karin Larsson, who also worked as an interior designer.
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