《问道图》扇页，明，崔子忠绘，金笺，设色，纵20.8cm，横60.2cm。

　　扇页有自题：“崔子忠。”钤“子忠”朱文印。

　　图绘一年轻男子正向老者作揖行礼，老者则举手指点作回答状的场景，因此，本幅又名《说法图》。崔子忠的人物画在师法顾恺之、陆探微、阎立本、吴道子等传统笔墨的基础上而有创新。他注重人物表情的刻画，在故宫博物院所藏其《洗象图》、《藏云图》及《渔家图》中，都能准确地画出不同身份的人物的特征。在此图中，他将年轻人问询时谦卑的表情和老者自信淡定的神态均表现得生动传神。衣纹用笔圆润细劲，线条颤掣，虬折多变，突出了衣服质料的柔软质感和随风飘的动势。树木的枝叶以双线勾边填色，用笔工细，富装饰性。

 

--------Introduction in English--------

 

"Questionnaire" Fan Page, Ming, Cui Zizhong Painting, Golden Paper, Colour Setting, Longitudinal 20.8cm, Horizontal 60.2cm.

The fan page has its own title: "Cui Zizhong." Jun "Zizhong" Zhu Wenyin.

The picture shows a young man making a salute to the old man, and the old man holding up his finger as a reply. Therefore, this picture is also called "Falun Tu". Cui Zizhong's figure painting is innovative on the basis of Gu Kaizhi, Lu Xuanwei, Yan Liben, Wu Daozi and other traditional brush and ink. He pays attention to the depiction of the facial expressions of the characters, and can accurately depict the characteristics of different identities in his "image wash map", "cloud Tibet map" and "fisherman map" hidden in the Palace Museum. In this picture, he shows vivid and vivid expressions of humility in young people's questioning and self-confidence and calmness in old people. The lines of the clothes are round and vigorous, the lines are shaking and the folds are changeable, which highlights the soft texture of the clothes and the tendency of the clothes drifting with the wind. The branches and leaves of trees are painted with double-line edges, with fine brushwork and rich decoration.